Playing with Hearts...Part One

Jim Dine, interview

Learning to Look, Play and Think
 with 

Jim Dine

Jim Dine is one of those "go-to" artists in an elementary school.  Specifically his infamous "hearts" have become a staple in February, across elementary art rooms.  From young, first grade students, to older sixth grade, we (art teachers) use this perfect little shape as a platform for making art.

I am guilty of using Jim Dine as inspiration and his perfectly, imperfect hearts, but this year I thought about the project a little differently.  The fourth grade curriculum that I designed focuses my students' attention on critically looking at artwork and studying why and how, artworks are made, through the lens of an investigator and an artist.


DAY ONE:
Prior to even entering the art room, I started my students with one simple direction..."follow the direction on the board and in your packet.  You have 10 minutes to do what it says". With hesitation, uncertainty and a little confusion, my students entered the room, read the direction, "draw a heart".  They had ten minutes and an assortment of materials to "draw a heart", is all they had to do....

But did they?

The results of their 10 minute drawing were predictable.  Most drew the simple shape of a heart and filled it in with red or pink.  As we took a "gallery walk" around the room, each student noticed that although the hearts were "different" they were also very much the same.  The important component to this activity was discussing "why".

"Well, because we just always make hearts like this".

"Why?", I asked.

A question, hard to answer.

This quick exercise started my students on their way to understanding an artist's process and understanding how materials work, through experimentation and "play".  It, also, gave me a quick snapshot of my students' risk taking meter.  My goal, throughout this unit was to encourage my students to take risks and step outside their comfort zone.  And to THINK!  (without me at the helm).

With Jim Dine, we started by skimming through a Scholastic Art Magazine article to find some basic information about the artist.  I did not provide my students with much visual information, because I did not want them to be influenced immediately by Jim Dine's work.  Instead, I had them "play".

abstract from packet

For the remainder of day one, students collaborated with their table mates, experimenting, playing and discovering new approaches to art-making.  The experience opened the door for discussion and debate, filling the art room with wonderful noises of movement, talking, scribbling and "playing".  This led to a homework assignment:

abstract from student packet

DAY TWO:
In this art unit, I wanted to incorporate a technology component to my students' art-making experience.  I wanted the focus of the digital component to be a tool for developing their creative process, not solely to use iPads in the art room.  In planning this component, I asked myself, "How would this experience benefit their overall understanding of the art-making process and enhance the students' creative thinking"....."What's the point?".  My response (to myself) guided the sequence of the unit and my students' exploration of materials and their properties.

On DAY TWO, I arranged to use iPads in the art room and the App: Drawing Pad.  The students' objective for the day was to "play" with 5 art materials offered through the App: paint, colored pencils, drawing pencils, crayons and markers. Parameters: Students needed to utilize all 5 art materials and there was no erasing or starting over.

My students LOVED it....of course, but little did they know I had other plans up my sleeves for them;-)
Upon completion, I printed their digital works for the following days.

DAY THREE:
My sleeves revealed their hidden surprises!
We started the session with an overview and survey of Jim Dine's infamous hearts, looking at them with a more critical eye.  Throughout the whole group discussion, it was refreshing to hear how their new knowledge and understanding of materials translated into their understanding of possible ways Dine created his art-works and visual language.  The students broke down what they saw in Dine's artwork into processes, techniques and materials...even theories of Dine's art-making sequence.  They no longer saw a heart, but rather they saw a thought process.  

Now it was time to challenge their 4th grade brains again!
I distributed their digital hearts.  The students were simply thrilled to see what they came up with actually printed and in their hands.  Yet, the enthusiasm slowly turned into anxiety when I broke the news to them.



"Great!  I am so glad you are happy with your digital art-works.  Now, you have 25 minutes to re-create them with "real" art materials, using the same materials you used on the iPads.  And no erasing, no starting over", said Mrs. Angelopoulos.

"WHAAAAAT?" said all the students.

"Go", said Mrs. Angelopoulos and the scurry of students started! 

Paints were splashing, students were moving swiftly throughout the art room, discussions were taking place and I was watching as time ticked away and my students worked really hard :)






















After the dust settled, the room was cleaned and the students finally sat down again, there was question, "Which method was more successful towards creating visual language"?
The polls were split.
When I asked, "which one was more challenging", all hands pointed to the 'real materials'.
When asked, "Why", the resounding voice was "because we had to move around and figure things out".

"Oh really", said Mrs. Angelopoulos, "wait until next week" ;-)

The project continues....follow my students and classroom on Instagram :)

xoxo, Smock Room

Rooted in Family...

Rooting Creativity with Trees

in 2nd grade

In their self-exploratory journey, my second grade students venture on a quest to discover a little bit about themselves and how they connect to...well....the world.  
We have, recently, completed our exploration and art-making on our families by creating our family trees, expressing our family's unique characteristics through paint, oil pastels, markers and liquid water colors.  

This art unit encourages the students to ask their mom and dad's questions, understanding the importance of the people in their lives.  The art-making component offers the students the independence to make their own choices, take risks, problem solve and take ownership of their work.  The important component was the process and path the students, individually, took to accomplish their final art work.

The experience opened my students' eyes to the endless possibilities for the use of our art materials and the understanding that I (their teacher) is not going to tell them what to do:) 

Liberating! 

and a bit more challenging....

I loved and love seeing what my students come up with on their own.

Is it a bit harder...sure!  

You have to manage more components in your classrooms, 

you have to allow students to get a little disappointed when something doesn't go their way,

you have to have more than a few materials out all the time,

you have to just let things go......

and that is hard.

I was recently reading and article by Olivia Guide, Playing, Creativity, Possibility offering insight and encouragement for allowing our students to explore, "play" and experiment independently....with whatever they want.  It does sound scary to think about just stepping back and watching.
BUT- the results are better than any well oiled, preconceived lesson.

In the end, each student was beaming with pride!

Check out more on Family Trees HERE
and the Power Point HERE.

xoxo, Smock you.

IAEA Conference 2015

Professional Development 

at its 

Best

Every year I attend and present at the annual Illinois Arts Education Association Conference.  And every year, I am revived and recharged by the amazing two days.

This year, I shared a lesson I created for my 5th grade students using styrofoam cups:
http://smockroom.blogspot.com/2015/05/ordinary-to-extraordinary.html

Here are some snapshots from the workshop.

This engaging art unit incorporated drawing, painting, sculpting and photography!

Thank you to all the participants for their energy and enthusiasm.

xoxo, Smock you.

Ordinary to Extraordinary....

The Evolution of a Styrofoam Cup

About a month ago, I came across a Pinterest post (I think) of the DC Sketchers, with the related image of a group of people, gathered around a small table, 

sketching a still life of styrofoam cups.  

I thought, "Oh how fun"!

I then proceeded to think about my students perceptions of common objects and their inherent nature to "know things", just by having some sort of experience with them.  Take the simple styrofoam cup for example.  This simple vessel is used everyday, from the coffee cups at school functions to quenching the thirst of miniature soccer players, to 'pots' that will soon grow beans in our classrooms.  

They are everywhere and by being everywhere, these familiar objects become common and common leads to inattentiveness.

And then I thought, again, "Oh this WILL be fun"!

In preparation for this art unit, I reflected on the numerous art installations I found on Pinterest and Scholastic Art Magazine, created by this very simple object.  With a little 'Googling', I came across Styrogami.  Yes, it's an actual thing and it is AMAZING (Check it out Here)

But my focus was not just to make a really cool sculpture, my focus was to encourage my students to pay attention to details and 'see' how a simple curve can transform something flat into something with volume.  I wanted my students to analyze materials and evaluate their effectiveness when using them.  I wanted my students to see how even simple shapes can be transformed into something bigger and magical.  

I wanted my students to see how something ordinary can become extraordinary, and how something seemingly simple is, in reality, complex.

Throughout this school year, I have been focusing on creating art units that 'test' my students' skills but also demonstrate their growth to them, fostering an understanding for process over product.  After all, how much can we possibly do with a styrofoam cup?  
My overall focus was for students to understand the 'process' of making art, is as important, if not more important than the product.  To illustrate this idea, I referred to the artist Richard Serra.

My speculations were pretty accurate.  To begin the unit, I simply passed out some manilla paper, asked the students to fold it in half, write their name and "Perceptions of Space" on the cover and then draw a styrofoam cup.

With cups already on the table, my confident students took the challenge with full force and began to vigorously draw a styrofoam cup.  I heard, "This is easy" and "I'm done" very often, all the while taking note that the majority of these, very confident, students were not even looking at the cups.  

After stopping them, we took a little gallery walk around the room and evaluated our peers' efforts.  There were a lot of groans.....

My first question was "Does it look like a styrofoam cup?"

The majority offered their responses with a "eeehh...."

Then I asked, "Did you look at the cup?"

The majority offered a "eeeehhhh..."

Then I asked, "Why not?"

"Because it's just a styrofoam cup".

I offered, "Aaaah".

Let's try this again.

The entire instructional sequence spanned 8 weeks (probably more) but you never would have thought it, with all the interest and sheer will to master drawing a cup.  We started with simple line drawings and progressed to larger abstract paintings...to styrofoam cup sculptures...to photography...and back to a simple cup.
All the while building our observational drawings skills, visualization skills, problem solving skills and reflective skills.  
Pretty amazing stuff.




Check out the rest of the snapshots
and the entire Art Unit with "I Can" statements, rubric and discussion sequence!

Follow on our Instagram page:
sanborn_smockroom

xoxo, Smock Room

4th grade...Jasper Johns

Re-thinking Symbols

Purpose and Process

Jasper Johns's, Flag

Scholastic Art Magazine

Close to the end of last school year (spring, sometime), I worked with my 4th grade students on a lesson to be published in Scholastic Art Magazine.  The focus for this issue was Jasper Johns and 'Working with Symbols", on new stands today!  

I wanted to take this opportunity to challenge my students' perceptions and ideas on the various interpretations of classic, often popular, imagery, by creating a dialogue,  re-think symbols and alter a familiar symbol's connotation.

The Stop sign.

Our discussion began with an introduction and overview to the art and life of Jasper Johns.  In researching, anything and everything about Jasper Johns, what really caught my attention was how great the impact of "Flag" was in society.  We see this encaustic, big representation of the United States flag and think nothing of it.  As art teachers, we may think, "Great, let's make Jasper Johns flags for Memorial Day."  But this was not the sentiments in 1955 when the work was created (and perhaps this is something we miss about teaching art).  

Alfred Barr, critic and curator, of the Museum of Modern Art wanted to purchase "Flag" but worried that it might be seen as unpatriotic by his board, so he arranged for someone else to buy it and later donate it to the museum.

I questioned why someone would go to such lengths to avoid scrutiny.  This notion led the class discussion on altering the viewer's perceptions of symbols.

One, amazing, moment was when a debate ensued among my students, defending the work to be art....and insulting.

As we moved forward, our focus steered towards another common, universal image...the STOP sign.
I chose the stop sign to stimulate my students' individualized ideas and use Johns' work as inspiration, not mimic what he did. 

 Our goal was to use the hexagon and S T O P, as the platform for creating an art work that makes you look twice, exploring with layers and stenciling.  At first glance, "Flag" looks like a flag.  On closer examination, "Flag" has embedded images, making the viewer to a closer look and re-think its representation and what the artwork is communicating.

Take a closer look....
http://www.moma.org/collection/object.php?object_id=78805
http://en.wikipedia.org/wiki/Jasper_Johns
Google Slide Presenation/Lesson Plan
Scholastic ART Magazine: Jasper Johns Issue

Thanks to Scholastic ART Magazine for publishing this lesson and for the great resources and teacher materials they have created to support arts education!

xoxo, SMocK you.